{"id":21878,"date":"2016-06-17T18:21:43","date_gmt":"2016-06-17T15:21:43","guid":{"rendered":"http:\/\/www.ozdeyis.net\/?p=18799"},"modified":"2026-02-03T20:08:50","modified_gmt":"2026-02-03T20:08:50","slug":"gercek-hayali-yok-edebilir-peki-neden-hayal-gercegi-yok-etmesin-george-moore","status":"publish","type":"post","link":"https:\/\/e-motivasyon.net\/en\/gercek-hayali-yok-edebilir-peki-neden-hayal-gercegi-yok-etmesin-george-moore.html","title":{"rendered":"“Ger\u00e7ek, hayali yok edebilir. Peki neden hayal, ger\u00e7e\u011fi yok etmesin?” George Moore"},"content":{"rendered":"

“Ger\u00e7ek, hayali yok edebilir. Peki neden hayal, ger\u00e7e\u011fi yok etmesin?” George Moore<\/strong><\/em><\/h3>\n

\""Art\u0131k<\/a><\/p>\n

\u201cGer\u00e7ek, hayali yok edebilir. Peki neden hayal, ger\u00e7e\u011fi yok etmesin?\u201d George Moore\u2019un bu s\u00f6z\u00fc, al\u0131\u015ft\u0131\u011f\u0131m\u0131z d\u00fc\u015f\u00fcnme d\u00fczenini tersy\u00fcz eder. Genellikle ger\u00e7e\u011fi; sert, de\u011fi\u015fmez ve ka\u00e7\u0131n\u0131lmaz kabul eder, hayali ise k\u0131r\u0131lgan ve ge\u00e7ici g\u00f6r\u00fcr\u00fcz. Oysa Moore bize \u015funu f\u0131s\u0131ldar: Ger\u00e7ek dedi\u011fimiz \u015fey \u00e7o\u011fu zaman al\u0131\u015fkanl\u0131klar\u0131m\u0131z\u0131n, kabullerimizin ve korkular\u0131m\u0131z\u0131n \u00fcr\u00fcn\u00fcd\u00fcr.<\/strong> Hayal ise sadece bir ka\u00e7\u0131\u015f de\u011fil, ayn\u0131 zamanda yeni bir ger\u00e7ekli\u011fin provas\u0131d\u0131r. Biz \u201cger\u00e7ekler b\u00f6yle\u201d diyerek s\u0131n\u0131r \u00e7izerken, hayal o s\u0131n\u0131rlar\u0131 ihlal eder. Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda hayal; ger\u00e7e\u011fe kar\u015f\u0131 zay\u0131f de\u011fil, tam tersine d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir g\u00fc\u00e7t\u00fcr. De\u011fi\u015fim, \u00f6nce hayalde ba\u015flar; sonra ger\u00e7e\u011fin dokusuna s\u0131zar.<\/p>\n

Bu s\u00f6zden ilhamla g\u00fcnl\u00fck hayatta uygulanabilecek pratik bir \u00f6neri payla\u015fal\u0131m: \u201cHayali Ger\u00e7ekle Y\u00fczle\u015ftirme\u201d \u00e7al\u0131\u015fmas\u0131.<\/strong> Bir ka\u011f\u0131d\u0131 ikiye b\u00f6l\u00fcn. Sol tarafa \u015fu an hayat\u0131n\u0131zla ilgili \u201cger\u00e7ek\u201d diye kabul etti\u011finiz s\u0131n\u0131rlay\u0131c\u0131 d\u00fc\u015f\u00fcnceyi yaz\u0131n: \u201cBen bu i\u015fi yapamam\u201d, \u201cArt\u0131k \u00e7ok ge\u00e7\u201d, \u201c\u015eartlar buna uygun de\u011fil\u201d<\/em> gibi. Sa\u011f tarafa ise, hi\u00e7bir mant\u0131k filtresi koymadan hayalinizi yaz\u0131n: \u201cYa m\u00fcmk\u00fcn olsayd\u0131?\u201d<\/em> diye ba\u015flayan bir c\u00fcmle kurun. Ama burada kritik nokta \u015fu: Hayali s\u00fcslemek de\u011fil, onu ciddiye almak<\/strong>. Biz hayali ne kadar ciddiye al\u0131rsak, ger\u00e7ek o kadar esnemeye ba\u015flar. \u00c7\u00fcnk\u00fc zihin, y\u00f6n\u00fcn\u00fc verdi\u011fimiz y\u00f6ne do\u011fru \u00e7al\u0131\u015f\u0131r.<\/p>\n

Bunu somut bir \u00f6rnekle toparlayal\u0131m. Diyelim ki uzun s\u00fcredir sizi tatmin etmeyen bir ya\u015fam d\u00fczeniniz var ve \u201cGer\u00e7ekler b\u00f6yle\u201d diyerek kendinizi ikna ediyorsunuz. \u0130\u015fte bu noktada hayal devreye girer: Farkl\u0131 bir ya\u015fam senaryosunu zihninizde canland\u0131rd\u0131\u011f\u0131n\u0131z anda, mevcut ger\u00e7e\u011fin mutlak olmad\u0131\u011f\u0131 ortaya \u00e7\u0131kar. Belki hemen de\u011fi\u015fmez; ama \u00e7atlar. O \u00e7atlak, harekete giden yoldur. Hayal, ger\u00e7e\u011fi yok etmek zorunda de\u011fildir; onu yeniden yazmas\u0131 yeterlidir.<\/em><\/strong> George Moore\u2019un i\u015faret etti\u011fi g\u00fc\u00e7 tam da budur: Hayal, pasif bir d\u00fc\u015f de\u011fil; gelece\u011fin ilk tasla\u011f\u0131d\u0131r. Biz o tasla\u011f\u0131 sahiplenirsek, ger\u00e7ek de pe\u015finden gelmek zorunda kal\u0131r.<\/p>\n

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George Moore Kimdir?<\/h3>\n

George Moore (1852\u20131933), \u0130rlandal\u0131 romanc\u0131, \u00f6yk\u00fcc\u00fc ve deneme yazar\u0131d\u0131r. Modern edebiyat\u0131n \u00f6nc\u00fclerinden biri olarak kabul edilir ve \u00f6zellikle bireysel \u00f6zg\u00fcrl\u00fck, sanat\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc g\u00fcc\u00fc ve toplumsal kabullere kar\u015f\u0131 duru\u015f<\/strong> temalar\u0131yla tan\u0131n\u0131r. Realizm ve nat\u00fcralizm ak\u0131mlar\u0131ndan etkilenmi\u015f olsa da, eserlerinde hayal g\u00fcc\u00fcn\u00fc ve \u00f6znel deneyimi merkeze almas\u0131yla \u00f6ne \u00e7\u0131kar. Moore\u2019un d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131nda \u201cger\u00e7ek\u201d, sorgulanmas\u0131 gereken bir olgudur; bu nedenle s\u00f6zleri bug\u00fcn ki\u015fisel geli\u015fim, yarat\u0131c\u0131l\u0131k ve motivasyon alanlar\u0131nda h\u00e2l\u00e2 g\u00fc\u00e7l\u00fc bir kar\u015f\u0131l\u0131k bulur.<\/p>\n

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D\u00fc\u015fler ve Hayallere Dair \u00d6zl\u00fc S\u00f6zler<\/a><\/p><\/blockquote>\n